Want a Better Job? Career Advice - Articles and Essays (Lance Winslow Employment Series - Careers)
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United States men's basketball squad — Summer Olympics — Gold medal. NBA first overall draft picks. Martin : Collins : Walton : D. Thompson : Lucas : Benson : M. Thompson : E. Robinson : Manning : Ellison : Coleman : L. Johnson : O'Neal : Webber : G. Head coach Popovich. Assistant coaches Budenholzer Egan Pressey. Regular season Playoffs. Head coach Gregg Popovich. Assistant coaches Carlesimo Brown Budenholzer Prunty.
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NBA Sportsmanship Award. Walter Kennedy Citizenship Award. Johnson M. IBM Award. NBA season scoring leaders. NBA season rebounding leaders. NBA season blocks leaders. Sports Illustrated Sportsperson of the Year. Watt Golden State Warriors. Naismith Men's College Player of the Year. Robinson Manning Ferry Simmons L. Johnson Laettner Cheaney G. John R. Wooden Men's Player of the Year Award winners. Johnson P. Robinson Manning Elliott Simmons L. Oscar Robertson Trophy winners. Communication skills are important, and people do need to write well.
With so many available resources on writing, why do so many people still struggle with writing? The problem is the instruction, not the learner. With these three strategies, instructors will provide effective learning opportunities, and you, the learners will learn to write and communicate effectively. David Bowman is the Owner and Chief Editor of Precise Edit, a comprehensive editing, proofreading, and document analysis service for authors, students, and businesses.
Precise Edit also offers a variety of other services, such as translation, transcription, and website development. Tags: Degree , English , Need , well , Write. This is a long-standing debate between writers, the answers is yes, and no. There are jobs on job boards that do require a degree and others that require an advanced degree.
What you need to write for clients is a good working knowledge of English spelling, grammar, and punctuation. If you are not up to par, take a course at a community college or university. Find a grammar book, read it, and do the exercises in it. Read everything you can get your hands on. You need to have the basics of the English language down before you can write for a client.
Clients expect perfect English in their assignments for freelance writers. The elitist writers think you should have a degree in English or Journalism to be a freelance writer. You do need to be a good writer, which means using the language correctly and always striving to improve your writing with every piece of copy you write. This also goes for all writers. If you are ever satisfied with your writing, you will become stagnant and become lazy in your writing. Your writing will reflect this, and the client will notice.
A writer needs to be creative in their writing, try to eliminate passive sentences, watch verb subject agreement, typos, grammar, punctuation, and possibly keyword density if the client wants SEO web content. You can learn all of this. It just takes time and effort on the part of the want to be freelance writer. With practice and reading, studying how writers put sentences together, and learning or refreshing the basics of the English language, anyone can become a writer.
This freelance writer knows a person that is dyslexic and she is a published author. It does come down to how bad to you want it. Yes, a degree is a nice thing to have, if you can afford it. The degree does hold more weight when you apply for a job. Your writing skill will hold all the weight you need for most jobs. What a writer needs is a portfolio of well-written copy they can show to a prospective client. If you want to become a freelance writer, learn about what freelance writing is about, and make sure that you are up to date on the rules of English; for which there are many style guides.
If you plan to submit articles to magazines, make sure to read the writers guidelines. You would be surprised how many queries and stories never make it because of writers submitting the wrong material or not following the guidelines completely. Tags: Degree , Freelance , Need , Writer. Before you take up oil jobs and oil gas jobs, it is important for you to know this industry well and the type of job you are going to do. Only when you are satisfied with the answers to some basic questions should you take these jobs up.
Given below are answers to four basic questions that people generally ask about working in oil rigs. The most basic requirement of oil jobs and oil gas jobs is that you have basic education. If you have cleared high school you can start your career in the oil industry in the basic level. You can work as a roughneck or roustabout and go about doing drilling and extraction. As you gain experience, you have the chance to go up the corporate hierarchy and reach supervisor levels.
With a diploma in mechanical or electrical engineering, you can also start your career in the oil jobs and oil gas jobs. Again, your experience will decide your position in the hierarchy. If you have a university degree or doctorate, you can even work in the departments of geosciences or research and development. There are other job openings in data analysis, medical field and even as a steward or a chef. There is no dearth of job openings in the oil industry.
All employees of oil companies go through intensive training programs on safety programs and operations. The oil industry always remains in focus due to the environmentalists and human rights groups and no company can take a chance related to environmental damages as well as accidents.
Apart from this fact, injuries to workers can also result in operational downtime and lawsuits. Training happens when you start your oil jobs and oil gas jobs and it is an ongoing process.
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Most oil companies mandate that you go through certain hours of training every year. As you go up the ladder, both the salary and the benefits keep on increasing. It is true that living conditions are sometimes cramped and there is a lack of privacy but the conditions are not too dissimilar to college dorms. Once you get used to the conditions, you adjust naturally.
It is no big deal. With these questions answered, you have probably understood more about oil jobs and oil gas jobs and the requirements of these jobs. Now it is time for you to decide whether you want to do these jobs or not. If you want further information, you can use the Internet and search for more.
What matters in the end that you are happy working in oil rigs. There are some pertinent questions about Oil jobs and oil gas jobs that you need answers for before you take them up.
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Tags: answers , Jobs , Know , Need. Millions of people across the country have found themselves out of a job and with no prospects available to them. Not because they are unqualified or unworthy, but because their field of employment has shed jobs that it will never regain. Those who chose to try and move on with a reduced labor force soon found new technologies and sources of labor to compensate for the lost personnel, and quickly discovered that these alternate sources of support were less expensive than an employee.
However, there is one field that is guaranteed to never trade out American workers for cheap foreign labor or technology, and that is the field of golf. Golf continues to be a multibillion dollar a year industry and is always looking for eager and enthusiastic personnel to man the thousands of courses around the country.
Why not look into golf career college as a way to get your career, and your life, back on track? Virtually everyone who works in the field of golf says the same thing: it is the best job they could ever want. Houdini dined with, addressed, and got pledges from similar clubs in Detroit, Rochester, Pittsburgh, Kansas City, Cincinnati and elsewhere. This was the biggest movement ever in the history of magic. In places where no clubs existed, he rounded up individual magicians, introduced them to each other, and urged them into the fold.
By the end of , magicians' clubs in San Francisco and other cities that Houdini had not visited were offering to become assemblies. He had created the richest and longest-surviving organization of magicians in the world. It now embraces almost 6, dues-paying members and almost assemblies worldwide. Every other president has only served for one year. He also was President of the Magicians' Club of London. In , the London Daily Mirror newspaper challenged Houdini to escape from special handcuffs that it claimed had taken Nathaniel Hart, a locksmith from Birmingham , five years to make.
It was reported that people and more than journalists turned out for the much-hyped event. The escape attempt dragged on for over an hour, during which Houdini emerged from his "ghost house" a small screen used to conceal the method of his escape several times. On one occasion he asked if the cuffs could be removed so he could take off his coat. The Mirror representative, Frank Parker, refused, saying Houdini could gain an advantage if he saw how the cuffs were unlocked. Houdini promptly took out a pen-knife and, holding the knife in his teeth, used it to cut his coat from his body.
Many thought that in her mouth was the key to unlock the special handcuffs. However, it has since been suggested that Bess did not in fact enter the stage at all, and that this theory is unlikely due to the size of the 6-inch key  Houdini then went back behind the curtain. After an hour and ten minutes, Houdini emerged free. As he was paraded on the shoulders of the cheering crowd, he broke down and wept.
Houdini later said it was the most difficult escape of his career. After Houdini's death, his friend Martin Beck was quoted in Will Goldston 's book, Sensational Tales of Mystery Men , as admitting that Houdini was bested that day and had appealed to his wife, Bess, for help. Goldston goes on to claim that Bess begged the key from the Mirror representative, then slipped it to Houdini in a glass of water. It was stated in the book The Secret Life of Houdini that the key required to open the specially designed Mirror handcuffs was 6 inches long, and could not have been smuggled to Houdini in a glass of water.
Goldston offered no proof of his account, and many modern biographers have found evidence notably in the custom design of the handcuffs that the Mirror challenge may have been arranged by Houdini and that his long struggle to escape was pure showmanship. This escape was discussed in depth on the Travel Channel's Mysteries at the Museum in an interview with Houdini expert, magician and escape artist Dorothy Dietrich of Scranton's Houdini Museum. A full-sized design of the same Mirror Handcuffs, as well as a replica of the Bramah style key for it, is on display to the public at The Houdini Museum in Scranton, Pennsylvania.
In , Houdini introduced his own original act, the Milk Can Escape. As part of the effect, Houdini invited members of the audience to hold their breath along with him while he was inside the can. Advertised with dramatic posters that proclaimed "Failure Means A Drowning Death", the escape proved to be a sensation. Houdini performed the milk can escape as a regular part of his act for only four years, but it has remained one of the acts most associated with him. Houdini's brother, Theodore Hardeen , continued to perform the milk can escape and its wooden chest variant  into the s.
The American Museum of Magic has the milk can and overboard box used by Houdini. Around , the vast number of imitators prompted Houdini to replace his milk can act with the Chinese water torture cell. In this escape, Houdini's feet were locked in stocks, and he was lowered upside down into a tank filled with water.
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The mahogany and metal cell featured a glass front, through which audiences could clearly see Houdini. The stocks were locked to the top of the cell, and a curtain concealed his escape. In the earliest version of the torture cell, a metal cage was lowered into the cell, and Houdini was enclosed inside that.
While making the escape more difficult — the cage prevented Houdini from turning — the cage bars also offered protection should the front glass break. The original cell was built in England, where Houdini first performed the escape for an audience of one person as part of a one-act play he called "Houdini Upside Down". This was so he could copyright the effect and have grounds to sue imitators, which he did.
Houdini continued to perform the escape until his death in One of Houdini's most popular publicity stunts was to have himself strapped into a regulation straitjacket and suspended by his ankles from a tall building or crane. Houdini would then make his escape in full view of the assembled crowd. In many cases, Houdini drew tens of thousands of onlookers who brought city traffic to a halt. Houdini would sometimes ensure press coverage by performing the escape from the office building of a local newspaper. In New York City, Houdini performed the suspended straitjacket escape from a crane being used to build the subway.
After flinging his body in the air, he escaped from the straitjacket. Starting from when he was hoisted up in the air by the crane, to when the straitjacket was completely off, it took him two minutes and thirty-seven seconds. There is film footage in the Library of Congress of Houdini performing the escape.
After being battered against a building in high winds during one escape, Houdini performed the escape with a visible safety wire on his ankle so that he could be pulled away from the building if necessary. Another of Houdini's most famous publicity stunts was to escape from a nailed and roped packing crate after it had been lowered into water.
Police forbade him from using one of the piers, so he hired a tugboat and invited press on board. Houdini was locked in handcuffs and leg-irons, then nailed into the crate which was roped and weighed down with two hundred pounds of lead. The crate was then lowered into the water. He escaped in 57 seconds. The crate was pulled to the surface and found still to be intact, with the manacles inside. Houdini performed at least three variations on a buried alive stunt during his career.
The first was near Santa Ana, California in , and it almost cost Houdini his life. Houdini was buried, without a casket, in a pit of earth six feet deep.
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He became exhausted and panicked while trying to dig his way to the surface and called for help. When his hand finally broke the surface, he fell unconscious and had to be pulled from the grave by his assistants. Houdini wrote in his diary that the escape was "very dangerous" and that "the weight of the earth is killing. Houdini's second variation on buried alive was an endurance test designed to expose mystical Egyptian performer Rahman Bey, who had claimed to use supernatural powers to remain in a sealed casket for an hour.
Houdini bettered Bey on August 5, , by remaining in a sealed casket, or coffin, submerged in the swimming pool of New York's Hotel Shelton for one and a half hours. Houdini claimed he did not use any trickery or supernatural powers to accomplish this feat, just controlled breathing. Houdini's final buried alive was an elaborate stage escape that featured in his full evening show. Houdini would escape after being strapped in a straitjacket, sealed in a casket, and then buried in a large tank filled with sand. While posters advertising the escape exist playing off the Bey challenge by boasting "Egyptian Fakirs Outdone!
The stunt was to be the feature escape of his season, but Houdini died on October 31, The bronze casket Houdini created for buried alive was used to transport Houdini's body from Detroit to New York following his death on Halloween. In , Houdini started showing films of his outside escapes as part of his vaudeville act. In Boston, he presented a short film called Houdini Defeats Hackenschmidt. Georg Hackenschmidt was a famous wrestler of the day, but the nature of their contest is unknown as the film is lost. That same year Houdini got an offer to star as Captain Nemo in a silent version of 20, Leagues Under the Sea , but the project never made it into production.
The consultants on the serial were pioneering Hereward Carrington and Aleister Crowley. In , Houdini signed a contract with film producer B. Rolfe to star in a part serial , The Master Mystery released in November As was common at the time, the film serial was released simultaneously with a novel. Financial difficulties resulted in B.
The Grim Game was Houdini's first full-length movie and is reputed to be his best. Because of the flammable nature of nitrate film and the inherent chemical instability of the acetate "safety" film that supplanted it, only 10 percent of old silent movies exist. Film historians considered the film lost. One copy did exist hidden in the collection of a private collector only known to a tiny group of magicians that saw it. After many years of trying, they finally got him to agree to sell the film to Turner Classic Movies  who restored the complete minute film.
The film, not seen by the general public for 96 years was shown by TCM on March 29, , as a highlight of their yearly 4-day festival in Hollywood. While filming an aerial stunt for The Grim Game , two biplanes collided in mid-air with a stuntman doubling Houdini dangling by a rope from one of the planes. Publicity was geared heavily toward promoting this dramatic "caught on film" moment, claiming it was Houdini himself dangling from the plane.
Following his two-picture stint in Hollywood, Houdini returned to New York and started his own film production company called the "Houdini Picture Corporation". He also founded his own film laboratory business called The Film Development Corporation FDC , gambling on a new process for developing motion picture film. Houdini's brother, Theodore Hardeen , left his own career as a magician and escape artist to run the company.
Magician Harry Kellar was a major investor. Neither Houdini's acting career nor FDC found success, and he gave up on the movie business in , complaining that "the profits are too meager". In , Houdini became fascinated with aviation. After crashing once, he made his first successful flight on November 26 in Hamburg , Germany. The following year, Houdini toured Australia. He brought along his Voisin biplane with the intention to be the first person in Australia to fly.
It was reported at the time that this was the first aerial flight in Australia,    and a century later, some major news outlets still credit him with this feat. By modern standards his flight time was minimal, but in he had accumulated enough to become an instructor.
On his first flight he took off, maintained straight and level flight, albeit briefly, and landed safely. His crash landing on his second flight, when he tried to retrieve his hat which was blown off, demonstrated what a momentary lack of attention could cause while flying a Wright Model A. It is accepted by Australian historians  and the Aviation Historical Society of Australia that the definition of flight established by the Gorell Committee on behalf of the Aero Club of Great Britain dictates the acceptance of a flight or its rejection, giving Colin Defries credit as the first to make an aeroplane flight in Australia, and the Southern Hemisphere.
Additionally, aviation pioneer Richard Pearse is believed by many New Zealand historians to have undertaken his first flight as early as , which would give him not only the Southern Hemisphere but the World record, although this is disputed. In , aviation journalist Stanley Brogden formed the view that the first powered flight in Australia took place at Bolivar in South Australia; the aircraft was a Bleriot monoplane with Fred Custance as the pilot. The flight took place on March 17, Australia Post did acknowledge the part Houdini played Harry Houdini can't escape being part of Australia's history but did not attribute any record to him.
After completing his Australia tour, Houdini put the Voisin into storage in England. He announced he would use it to fly from city to city during his next Music Hall tour, and even promised to leap from it handcuffed, but he never flew again. In the s, Houdini turned his energies toward debunking psychics and mediums , a pursuit that inspired and was followed by latter-day stage magicians.
Houdini's training in magic allowed him to expose frauds who had successfully fooled many scientists and academics. He was a member of a Scientific American committee that offered a cash prize to any medium who could successfully demonstrate supernatural abilities. None was able to do so, and the prize was never collected. Possibly the most famous medium whom he debunked was Mina Crandon , also known as "Margery".
In , he was exposed by Houdini as a fraud. Argamasilla peeked through his simple blindfold and lifted up the edge of the box so he could look inside it without others noticing. Houdini chronicled his debunking exploits in his book, A Magician Among the Spirits , co-authored with C. Eddy, Jr. Doyle came to believe that Houdini was a powerful spiritualist medium, and had performed many of his stunts by means of paranormal abilities and was using these abilities to block those of other mediums that he was "debunking".
Before Houdini died, he and his wife agreed that if Houdini found it possible to communicate after death, he would communicate the message "Rosabelle believe", a secret code which they agreed to use. Rosabelle was their favorite song. She did claim to have contact through Arthur Ford in when Ford conveyed the secret code, but Bess later said the incident had been faked. The code seems to have been such that it could be broken by Ford or his associates using existing clues.
In , Bess said that "ten years is long enough to wait for any man. Gibson and Milbourne Christopher. Gibson was asked by Bess Houdini to carry on the original seance tradition. In , Harry Houdini hired H. Lovecraft and his friend C.
The article does not survive. Lovecraft's detailed synopsis for Cancer does survive, as do three chapters of the treatise written by Eddy. Houdini's death derailed the plans, as his widow did not wish to pursue the project. Unlike the image of the classic magician, Houdini was short and stocky and typically appeared on stage in a long frock coat and tie.
Houdini was also said to be slightly bow-legged , which aided in his ability to gain slack during his rope escapes. In the biography Houdini!!! They stressed his smallness—"somewhat undersized"—and angular, vivid features: "He is smooth-shaven with a keen, sharp-chinned, sharp-cheekboned face, bright blue eyes and thick, curly, black hair.
It communicated to audiences at once warm amiability, pleasure in performing, and, more subtly, imperious self-assurance. Several reporters tried to capture the charming effect, describing him as "happy-looking", "pleasant-faced", "good natured at all times", "the young Hungarian magician with the pleasant smile and easy confidence". Houdini made the only known recordings of his voice on Edison wax cylinders on October 29, , in Flatbush, New York.
On them, Houdini practices several different introductory speeches for his famous Chinese water torture cell. He also invites his sister, Gladys, to recite a poem. Houdini then recites the same poem in German. The six wax cylinders were discovered in the collection of magician John Mulholland after his death in They are part of the David Copperfield collection. In his final days, he believed that he would recover, but his last words before dying were reportedly, "I'm tired of fighting. The accounts of the witnesses, students named Jacques Price and Sam Smilovitz sometimes called Jack Price and Sam Smiley , generally corroborated one another.
Price said that Whitehead asked Houdini "if he believed in the miracles of the Bible" and "whether it was true that punches in the stomach did not hurt him". He then delivered "some very hammer-like blows below the belt". Houdini was reclining on a couch at the time, having broken his ankle while performing several days earlier. Price said that Houdini winced at each blow and stopped Whitehead suddenly in the midst of a punch, gesturing that he had had enough, and adding that he had had no opportunity to prepare himself against the blows, as he did not expect Whitehead to strike him so suddenly and forcefully.
Had his ankle not been broken, he would have risen from the couch into a better position to brace himself. Throughout the evening, Houdini performed in great pain. He was unable to sleep and remained in constant pain for the next two days, but did not seek medical help. He ignored the advice and decided to go on with the show. Despite the diagnosis, Houdini took the stage. He was reported to have passed out during the show, but was revived and continued. Afterwards, he was hospitalized at Detroit's Grace Hospital.