Lhistoire dApple (The Apple Story) (French Edition)
Along with its formidable combat skills, the regiment was renowned for its jazz band, led by James Reese Europe.
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Europe, who became a major figure on the New York music scene after the war, was stabbed to death in following an argument with one of his band members. But ragtime had reached the Old World. While the Harlem Hellfighters returned home after the war, some African-American musicians decided to stay in France. Their wartime experiences had been a wake-up call. Discovering a continent without racial segregation had intensified their desire to fight inequality. For those who stayed, Paris was a place of freedom. Bechet adored Paris, and he soon became the toast of the town.
American Museum of Natural History
At night there was always a singer or a musician to go see. I never went to bed before 10 a. Tensions rose, and the two men faced off. Bechet was armed. The clarinetist was sentenced to 11 months in jail. The best-known American artist of that era was without question dancer Josephine Baker.
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Both humorous and sexually provocative, she shocked and amused her audience. While the French — who were discovering new sounds — considered her a symbol of open-mindedness, she also reflected a taste for exoticism often tainted by racism and colonialism. Flattering French ethnocentricity while conveying a subversive message, Baker became a case study for historians on both sides of the Atlantic.
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Bebop in Saint-Germain. In the shadow of the American artists, a French jazz scene emerged. The Hot Club of France, an association of jazz lovers, was established in , and would organize the Paris tours of such American musicians as Coleman Hawkins and Duke Ellington. The leaders of the Hot Club mounted a smuggling operation to ensure the circulation of records between Free and Occupied France.
Meanwhile, musicians played in secret dives. It was a bolt from the blue. Jazz had been banned during the Occupation, and suddenly, in a single evening, this extraordinary bebop band revolutionized my way of understanding music.
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These were the days of Charlie Parker and Dizzy Gillespie. Prewar swing sounds were eclipsed by the complex beats of bebop.
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Improvisations went on longer. Tempos were fast, sometimes dizzyingly so, and the musicians were virtuosos. The Liberation of Paris brought Americans back to the French capital. She took off her coat and laid it on a staircase bannister.
A lack of method
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