Ivresses du fils (Hors collection littérature française) (French Edition)

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Articles

  1. Marie Demers : Faire son deuil
  2. Le théâtre chinois ancien en France, parent pauvre de la traduction
  3. Félicité, passion et ivresse avec “Bovary”
  4. Éditions de l'Envolée (envolee) on Pinterest

Jules Claretie. Et il tint parole.

Marie Demers : Faire son deuil

A quoi M. Il parlait de Cyrano. Un mois auparavant, le 11 mars , M. Quel bonheur! La souplesse en est incomparable. Mais les beaux jours ont parfois de cruels lendemains. Au pied du lit sommeille un beau page blondin. Les Musardiscs. Ainsi sont mes pensers dans leur floraison lente. Les Musardises. Je le laisse jouer sur ma table, souvent. Puis, elle se taisait, pour reprendre soudain. Parfois, faisant pousser des cris aux robes blanches, On voyait, incendie indiscret sous les branches, Une lanterne japonaise qui flambait.

Le soir vint. Ce bibelot gymnaste a Reichenberg pour nom. Et cette inexorable et falote casquette!

Le théâtre chinois ancien en France, parent pauvre de la traduction

Et ce grand gilet jaune aux dessins de rideaux! En ce temps sans folie, ardente, tu protestes! Tu dis des vers. Ton vol se perd. La Princesse lointaine. Premiers engagements de fer. Non, merci. Non, merci! Se pousser de giron en giron, Devenir un petit grand homme dans un rond, Et naviguer, avec des madrigaux pour rames, Et dans ses voiles des soupirs de vieilles dames?

Non, Merci! Cyrano de Bergerac. Max Elskamp publia ses premiers vers en Les quatre volumes que signa M. Max Elskamp, dit M. Avec ses pieds et ses mains rouges, Et puis encor les Anges blonds Jouant de tous leurs violons…. Me voici. Je passe sur la! Maintenant, que sera cet octobre nouveau? Il va neiger dans quelques jours. Je me souviens de mes tristesses au coin du feu. Pourquoi donc pensons-nous et parlons-nous? Bonheur est la. Tu as soif? Je parle. Et tu me laisses dire. Le soir vient.

Et nous longeons le gave. Je bavarde. Tu souris encore. Bonheur se tait. Ta mort ne change rien. Je ne regrette pas ta mort. Je songe aux montagnes natales. Je songe au vide pur des cieux. On le voyait. Il dressait les oreilles. Et le troupeau passait, passait, passait. Et sa rumeur divine se perdait. Et les cris de la Lucie. Et les chiens dans le ciel gris, avec, debout, Martin. Et Jean pleura. Et elle grommelait, hargneuse. Elle haletait un peu, les joues rouges comme une grenade ou de la farouche, levant vers lui ses yeux, son nez, sa bouche.

Ses dents riaient, elle frissonnait toute. Ainsi fut fait. Et quand, vers le vieux puits, Jean de Noarrieu se retourna, il vit, la bouche rouge et riante, une fille. Ses mollets ronds et fermes se touchaient, et, hardiment, elle lui souriait. Le Triomphe de la Vie. Tout jeune, en , M. Me connais-tu? Le jour croit. Blonde, tu me souris vaguement, tu tressailles! A genoux! Depuis , M. Tout le ciel vert se meurt.

Narcisse, ou meurs! A notre demande, M. Cette mesure qui me transporte et que je colore, me garde du vrai et du faux. Ni le doute ne me divise, ni la raison ne me travaille. Nul hasard, — mais une chance extraordinaire se continue. Les vers de M. Daniel de Venancourt sont souples et gracieux. Les Adolescents. Combien de tendres confidences Ont-ils entendu, — doux secrets! Sa main tremble en tirant le fil de sa quenouille. La chanson des grillons vibre au loin dans la plaine. Je suis la fille du fermier, Qui sanglote dans le sentier! Je ne suis pas le fils du roi, Et je veux causer avec toi!

Ton courage est-il abattu? Bergerette, ma mie, ajuste ta cornette! Rassemble tes brebis et prends ta quenouillette! En route! Il habite actuellement Ostende. En , M. Delagrave, Paris, Souffle, souffle, grand souffle amer,. Chez Paul Ollendorff, Paris. Chez Diodet, Paris. Jamais, on le sait, M. Xavier Privas. Il semble que, moralement aussi bien que physiquement, deux races bataillent en lui. Han Ryner assista, avec MM. Boschot, G. Normandy, Ph. Pagnat et M. La berceuse indolente des eaux ou des bois. Tout aime! Sully Prudhomme E. Etudiant, MM. Rappelons que ce fut M. Dans les jardins, lents et tremblants, Les pauvres vieux tous les soirs viennent.

Sur les vieux bancs ils se souviennent, Les pauvres vieux aux cheveux blancs. Il marcha longtemps. Sous la neige des ans moroses, Tu voudras revivre. Le long du chemin, la jeunesse danse. III Le long du chemin, vieillard, fais ton somme! Ici se rencontrent les. Tout ce qui fut persiste. La Nuit. Comme un vin orgueilleux, plein de rouges prestiges. Ses lourds et sombres yeux, tout de braise et de soie Brillent hideusement lorsque passe une proie.

Seul, je me connais. Seul, je sais ce que je suis. Je me couche, comme un chartreux, dans mon linceul. Je suis les animaux, les plantes et la mer. Depuis, M. La gorge est endormie et sombre encore. Mais soit! Ce soir, ils soupent chez Pluton. La Cithare. Les Tombeaux. Ne grave ni flambeau, ni colombe, ni fleur. Sur les champs nage au loin sa cendre bleue et brune. Le ressac lourd tonnait au bas du promontoire. Le Semeur de Cendres. Le Jardin Secret. Un songe immense et doux de sommeil et de mort… Oh!

Alfred Vallette. Graves, nous nous taisons. Voici que les jardins de la nuit vont fleurir. Les lignes, les couleurs, les sons, deviennent vagues. Il est de clairs matins, de roses se coiffant. Douceur des yeux!

Claude Viallat

Bras tendus au ciel! Grande Nuit! Seule, tu sais calmer les tourments inconnus De ceux que le mentir quotidien torture. Sylvio Lazzari La Chambre blanche lait songer au Kinderscenen de Schumann. On trouve — comme le fait remarquer M. Les larmes sont en nous. Et les larmes aussi pleurent de nous quitter. Mon enfance, adieu mon enfance. Pas souffert? La Chambre blanche. Botrel est revenu au pays. Dame, oui! Chansons de la Fleur-de-Lys. Il faisait cependant un bien rude tangage! On sombre! Ce serait envoyer vers une mort certaine Cinq hommes pour le moins, cria le capitaine, Et je dois les garder pour le salut commun!

Elle en fait-y des malheureux, des malheureuses! Jamraes, H. Bataille, Ch. Pilon, G. Cazals, etc. Sans doute M. Paul Fort a refondu dans cette nouvelle. Cette fille, elle est morte, est morte dans ses amours. Les dryades craintives se groupent en buissons. Les sylvains, aux coteaux, gagnent les tournants brusques. Leurs cornes ont disparu comme des feux follets. Il tombe! Et les astres bourdonnent sous la ruche des cieux.

Roman de Louis XI. Et, en effet, M. Au pays du Bcrry. Les filles filent leurs quenouilles Ou bercent les petits berceaux. Maeterlinck, de M. Adam, etc. Ses premiers vers parurent en , dans La Conque de M. Pierre Louys. Le Sang parie. Sept heures. Y a-t-il des pardons pour les amours Qui imploreraient un retour? Le Sang parle. Revenu en de Pile Bourbon, M. La nature se tait. Fleurs de Corail. Ex libris: Paul Jordan Smith. Contemporary three quarter brown morocco over marbled boards, teg, original wrappers preserved, mild wear at corners and spine head, otherwise fine.

Oxford: Oxford University Press, Red cloth, gilt spine, d. Head of d. Avec 11 Gravures Hors Texte. Paris: Albert Fontemoing, Avec la collaboration de M. Cabeen New York; With few ink notes on free endpaper, otherwise a very good copy. Lecteur de Marie-Antoinette Niort: Imprimerie Saint-Denis, Quarter morocco over speckled boards, head of spine bumped and spine rubbed, interior very good. Gide, Andre. Original printed wrappers, browned, very good copy.

Blanche, at al. Vocations, III. Paris : Gallimard, Paris: Editions Rieder, Les Doctrines et les Hommes. Vrin, Blue cloth with gilt title on spine, orig. Lightest wear. Very good in glassine. Paris: Paul-Emile Freres, [ie, ]. Originally published in by Emile-Paul Freres, Juliette was re-issued in by Bernard Grasset, followed by the present new edition.

Louis Kaldor], Prix Balzac Eau-Forte par Hermine David. Limited to copies. Berard designed the costumes, and Honegger wrote the music, and Boris Kochno did the lighting. Louis Kaldor] Blue quarter morroco over marbled papers, raised bands, title lettered in gilt, marbled papers endpapers, orig. Paris: Les Editions G. Cres, First published in Paris: Charles Carrington, Tall 8vo, xxv, pp, 25 engravings.

Quarter blue calf over marbled boards, gilt lettered and ornamented, raised bands, teg, untrimmed, marbled endpapers, lt. Benezit, Dictionnaire, p. Pia , Fine unopened copies. Each copy is inscribed by the author to S. Godoy b. Miomandre b. A friend of Gide and Claudel, and central to literary Paris from an early age, he edited numerous magazines and translated Spanish and Spanish-American writers. Unopened orig. Beuve, Baudelaire and their early studies in 17th and 18th century culture upon their aesthetic theories of "art for art's sake.

Sabatier reassesses their ultra-refined sensibilities and the harsh judgements of critics "overly charmed by bibelots and the bizarre" in this perceptive study of the 19th century originators of "documentary fiction" and publishers of the important cultural Journal of midth century France. Sansot, Quarter marbled boards, orig. Paris: Edouard Champion, The color printing is by Charpentier, with text in calligraphy.

Each Saint has her own section, with a picture depicting her in a setting with text describing her achievements. Gourmont, Remy de. NOEL, G. Le Romantisme et la Critique.

Félicité, passion et ivresse avec “Bovary”

Paris: Ernest Flammarion, Gregh , poet and critic, was the founder in of the short-lived literary movement known as Humanisme. Paris: Librairie Emmanuel Vitte,. Paris: Librairie Stock, Delaimain, Boutelleau, Constantin Guys. Half green morocco, orig. Freitag Edgard Depitre. Square 8vo, pp. Full calf, title spine lettered in silver, hand-illustrated blue endpapers, orig. Paris: Editions Eos, This collection of French sea shanties is evocatively illustrated by Andre Lhote , the "academician of Cubism.

Mahe 11, p. Paris: Plon, Plon-Nourrit, []. A presentation copy, warmly inscribed by the author to Edouard Champion, together with 10 original leaves of manuscript of the work written on blue paper. Quarter calf over speckled boards, gilt letter on spine, orig. Corners a little bumped, upper joint starting but sound. Paris: Plon, Plon-Nourrit, A presentation copy, warmly inscribed by the author to Edouard Champion in the year of publication.

La Flamme et Les Cendres. Les Saisons de Nesles. Poesies Diverses. Green quarter morroco, marbled paper, over orig. Etudes Latines. Paris: Emile-Paul Freres, With additional letter from the author to E. Numbered copy printed for the use of the author. Paris: Plon, [ca. Evenly browned, otherwise a very good copy. Tall 4to, 6 , , 2 pp. NUC: 1 copy. Flammarion, Interior clean; spine rubbed.

Tome premier. Green cloth, gilt spine. Fayard, Paris : Editions de "La Victoire", Bonnier de la Chapelle. With unpublished letters to the author here printed for the first time. Paris: Librairie Ancienne H. Champion, Red half morroco over marbled boards, orig. Paris: Editions Place, 4to, pp. Red cloth, gilt lettering. Shows him as scientific humanitarian, with rich strain of materialistic fanaticism, whose spiritual progeny are Messieurs Homais Flaubert, Mme Bovary of 19th century. Scientific and positivistic assumptions of philosophers are well discussed in Chap.

HUGO, Victor. Facsimile of the original MS. Paris: Jacomet, [ca. Folio, loose sheets as issued, enclosed in a folding board case. This was the play that marked the triumph of Romanticism over Classicism. It was Hugo who led a group of young poets and artists that virtually waged war with the traditionalists on the opening night of this play, creating a scandal that guaranteed the success of the work and the eventual success of the movement.

BIRE, Edmond. Quarter morocco over marbled boards, raised bands, title in gilt, very good. Good copy. Paris: Charpentier, Cloth, morocco label, orig. Los Angeles and vicinity are described as a paradise for orange-growers and winter-guests; the author praises the mild climate and the beautiful setting, but also recalls an attempted robbery in the little village of Hollywood. Cowan ed. Reprinted from Essays in Honor of Albert Feuillat.

Éditions de l'Envolée (envolee) on Pinterest

Edited by Henri M. New Haven: Yale University Press, Paris: Maison de la Bonne Presse, Huysman himself wrote that his fascination with evil led him to the conception of supernatural good. Gravenhage, Paris: A La Belle Edition, []. They began publishing together in Wounded, he returned from the front and composed this series of poems which his friend Iribe illustrated. Iribe Catalogue Paris: A la Belle Edition, []. ISOU, Isidore. Paris ; ISOU, Isodore. Paris : Fev. Paris: Ernest Leroux, Michigan: Michigan State College Press, Jullien, [n.

Paris: Editions Victor Attinger, Introduction et notes de Maurice Solovine. Very nice copy. Offray de. Lyon: M. Dodeman, Edited for rapid reading.. New York: Thomas Y. Crowell, Orange cloth, few foxing on the fore-edge, previous ownership signature, otherwise a very good copy. Sm 4to, 24 pp. Printed wrappers with orig. Introduction de Louis Barthou. Paris: Le Goupy, Royal 8vo, , 2 pp. Tome I ; II Droz, , Modern Language Association, Quarter morocco over printed boards. New York: Columbia University Press, Quarter morocco over boards, gilt letter on spine.

Volume I - IV. Dessins de Chas Laborde. Only one copy in OCLC. Lyon: Audin, Buenos Aires: Viau, []. Paris: Les Editions Rieder, Spine lightly worn. Acteur et Auteur Comique Paris: Marcel Seheur, Royal 8vo, 67 pp, woodcuts in the text. Full contemp. The text was written during the French Revolution by the young lawyer Lemontey who was also a capable writer; this tale is one of imaginary Greek legends he composed, predating Pierre Louys in this innocent hoax. Uniformly bound in quarter calf over boards, spine ruled and lettered in gilt.

Edges foxed, else very good. Green cloth, gilt morocco spine label, t.


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Small ding to label, signature to f. Paris: Henri Veyrier, Paris: Le Divan, Cambridge: Privately printed, Some tears to the spine repaired. Paris: Collection Marpon, LOTI, Pierre. Half morocco over marbled boards, gilt stamped floral and ship motif on spine, orig. Louis XIV. Bibliotheque Nationale. Paris: Bibliotheque Nationale, Louis XV. Paris: L.

Borel, Quarter red cloth over marbled boards. Light general wear, very good. NUC cites copies only at Northwestern and Oberlin. Unsewn in original printed wrappers within maroon chemise. The drawing is inscribed to Champion and a confidential ALs to Champion from the artist is laid in. This edition not found in Perceau or Pia. Monaco: Editions du Rocher, Paris: Editions Marcel Seheur, []. A good copy.

Slightest wear to exremites, otherwise nearly fine. Beautifully illustrated, the work narrates a series of bizarre events and impressions. Maurice Magre , described by Liedekerke as "un familier des fumeries" considered the drugged state the only reality. Liedekierke, p. This title not in Carteret. For the artist, cf. Paris: Librairie Plon, Plon-Nourrit, Foot of spine worn, wrappers foxed, few ink notes scattered in margin. Paris: Edition Flammarion, Paris: Robert Laffont, Poesie, Philosophie, Litterature, Critique.

Paris: Librairie des Lettres, Large 8vo, pp. Back wrapper missing half inch section, spine lightly worn, otherwise a very good copy. Paris: Nizet, , Tall 8vo, xxxi, pp. Quarter morocco over boards, raised bands, gilt title on spine, orig. Head of spine slightly rubbed, light soiling. Martin, Chas. A fine copy. MARX, Jean. Sciences Religieuses. LXIVe Volume. Paris: Presses Universitaires de France, Paris: Editions Georges Cres, Few notes scattered in the text. A fair copy. Paris: Bernard Grasset, [Mayenne, Impr. Floch, 22 Mai ], Paris: Bernard Grasset, [Abbeville, Impr.

Paillart], Paris: Bernard Grasset, [Impr. Orleanaise], Paris: Imprimerie Nationale, E. Fasquelle Editteur, Large 8vo, 8 , pp. Printed wrappers, lightly soiled, but a very good copy with wide margins. Nearly half the work is a biographical and bibliographical dictionary of of French poets of the nineteenth century. Paris: Agence Hebdemadaire, Cloth spines over marbled boards. Spines of 2 vols worn, light internal browning, otherwise very good. In October , when the war started, the paper was reduced to one issue a month. In January , publication went to two issues a month.

Then, in June , due to stringencies of the war years, the paper was reduced to one page only per issue. Not in ULS. Contemporary half red morocco over marbled boards, gilt lettered spine, raised bands, gilt orn. Avec un Portrait. Quarter cloth over marbled boards, interior clean; spine faded, lower cover soiled. Paris: Fourcade, []. Of Lithuanian background, Milosz lived the life of a wealthy man of letters.

His prophetic poetry is a blend of Catholicism, alchemy, Swedenborg, Boehme and modern physics. Suivi de Dainos et de Diverses Traductions. Paris: Perrin, []. New York: Oxford University Press, Maroon cloth. Profuse marginalia, signature on title, slight wear overall. Paris : Hachette, Paris: Ernest Flammarion, []. Paul Morand made a brilliant diplomatic career and spent most of his time travelling. This, like many of his novels, is an account of his travels. Mornet, Daniel. Paris: Nizet, Musset, Alfred de. LODS, Armand. Paris: Extrait du Mercure de France, Paris: Plon, Paris: Editions des Presses Modernes, Gerard de Nerval.

Lourdes de Grillot de Givry. Bulletin de Parapsychologie. Paris : H. Roudil, With 4 plates. Very good copy. Paris: Bibliotheque Naitonale, A nearly fine copy. Nerval, Gerard de. Extrait de Latomus t. X , fasc. Bruxelles; Paris: les Editions Rieder, Jean Noir was the pseudonym of Jean Cassou cf. Prix France-Egypte Avant-propos et Notes par Arnelle. Paris: Louis Michaud, [ca.

Reprint from The Romanic Review, October, Wrappers, few notes scattered in the text. Auteur Dramatique. Large 8vo, 93pp. Paris: Editions Albert, Pascin, Jules. Marbled boards, gilt morocco label, orig. Fine copy. Bookplate of Elmer Adler laid in. Jules Pascin Julius Pincas, , studied in Vienna and Munich, where he contriubted to the satirical journal Simplicissimus. In he settled in Paris where he associated with the avant-garde artist and writers. Skira Paris: Ernest Grund, Jorel, Revue de Literature. Lyon: Chez Marc Barbezat, Etude sur la Campagne de Lorraine, en Paris: Au Sans Pareil, A long, rambling poem with many linguistic tricks; the preface is by Tzara.

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Motherwell p. Paris: Les Nouvelles Edition Latines, Quarter cloth over paper boards, gilt title on morocco spine label, orig. Upper right corner of lower cover bumped. Paris: La Connaissance, The illustrations are delightfully erotic and aptly complement the text. This work is very scarce and this copy is in virtually flawless condition. Paris: Henri Jonquieres, Otherwise a good copy. Contemporary three-quarter green morocco, marbled boards, gilt lettering and decoration, teg, original wrapper spine preserved, lacks two of six called-for engravings, otherwise near fine.

This is copy no. Piron , a witty poet, playwright, and enemy of Voltaire, is remembered for Les Fils Ingrats and Arlequiin Deucalion Oeuvres Badines was first published postumously in This edition not listed in any of the standard references. Piron, Alexis. Avec un Portrait de Piron.

Julien, Each page is a poem illustrated by a circular pochoir image in colors, gold and silver by Guinegault b. The upper wrapper also bears a smaller pochoir image. POE, Edgar Allan. Traduit par Charles Baudelaire. Contemporary half green crushed morocco over marbled boards, gilt lettered spine, mild rubbing to extremities, mild toning to half title, a beautiful erotic bookplate, otherwise near fine.

POE, Edgar Allen. Blue library cloth, gilt lettering. Blind-stamped with University of California emblem on upper cover, some signatures falling loose. Paris: Librairie Georges Courville, Original printed wrappers in contemporary glassine. Minimal foxing to upper joint of glassine. Portraits et Souvenirs. Paris: La Renaissance du Livre, Red patterned library cloth, white lettering, orig. Text evenly browned, otherwise very good. With the presentation slip of Erwin Rosenthal loosely inserted.

REMY, Gabriel. Sa Vie, ses Oeuvres et son Milieu. Paris: Association des Etudiants de Doctorat, It is the most virulent of his works, and when Restif learned the shocked response of his friends he destroyed all of the unsold copies of the first edition.. Paris: Editions Bossard, Les Origines Anglo-Germaniques. Berkeley: University of California Press, Printed wrappers.

Text lightly toned. Introduction et Commentaire par Jules Mouquet. Geneva: Pierre Cailler, Petitfils Paris: La Centaine, The text was first published in the journal "Le Bosphore Egyptien" in Rimbaud, Arthur. Foot of spine bumped, but overall very good. Paris: Felix Alcan, Small 4to, pp, frontispiece.

Quarter green cloth, black lettered and decorated, green paper illustrated stamped boards, green ruled borders to text, lt-mod wear to extremities, lt-mod soiling to boards, front hinge starting, leaf perimeters mildly toasted, lower cornerwear to rectos throughout, pp. Robida and the publishers of this amazing work, printed in the style of an illuminated manuscript, clearly had in mind the work of Karl Maria Seyppel b. Very few copies could have possibly been manufactured. Not in Monod. White cloth, gilt lettered, gilt stamped ruled borders, illus. New York: Museum Press, A rare Rogers piece, the text in French, beautifully printed in Centaur with two lovely woodcuts of the old monk and the faun.

Work of Bruce Rogers Roman de la Rose. Paris: Boccard, Ownership stamp on endpaper and scattered in text, evenly browned. Avant-propos de Marcel Bouteron. Great Britain, n. Oblong 8vo, p. Proofs from French Studies, vol. Tome LVII. Janvier-Avril Rothschild library. Reprinted New York [ca. It describes the unrivald collection which, during his short life, Baron James de Rothschild had built up with almost unlimited means at his disposal.

It also includes many important seventeenth-century books and some outstanding examples of the following century. Geneva: Armand Colin, De Monmorency au Val de Travers Printed wrappers, somewhat worn, sparse foxing. Avec une introduction, des notes et un commentaire par Maurice Halbwachs. Aubier: Montaigne, Yellow printed wrappers some offsetting to covers , otherwise a very nice copy with many leaves unopened. Extrait de la Revue des Deux Mondes, 15 Juin Paris: Typographie Philippe Renouard, Lettere Inedite Bari: Gius. Paris: Thorin et Fils, Printed wrappers, ownership stamp on front cover; aoverall light browning, a very nice, unopened copy with an inscription by the author on half-title.

Neuchatel: Editions Henri Messeiller, Beige printed wrappers, slight foxing to front cover, otherwise a fine copy but for ink annotation on front flyleaf. Rousseau, Voltaire, Diderot. Ottawa: Imprimerie Beauregard, SADE, D. Lithographies Originales de Xavier Saint-Justh. Paris: N. Sm 4to, , 6 pp, unbound signatures in cloth portfolio, 8 color lithographs. Black silk, gilt lettered, purple silk slipcase, very fine in mildly damp stained slipcase with bump and crack at head.

Unrecorded in any of the standard references of erotica. Chanover p. Pia II, p. Not in Kearney, The Private Case. Rose II, p. Paris: Rene Julliard, []. Le Moyen de Parvenir.


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Les Joyeux Devis. SAND, George. Illustrations de M. London: George Bell Sons, Regnier, Henri de. Modern marbled wrappers, some notes scattered in the text, lightly sunned. Monaco: Imprimerie de Monaco, Philadelphia: Univ. Historien, Politique, Philosophe, Astrologue. Paris: Boivin, [n. Paris: Editions Sociales, Light foxing, otherwise a very good copy. Paris: Vuibert et Nony, Lemercier was the author of several tragedies of which one, Agamemnon was considered a masterpiece it its day.

Essai de Biographie morale et intellectuelle. Paris: Librairie Ancienne Edouard Champion, Paris: Calmann-Levy, Paris: Jean-Jacques Pauvert, A fine set. Quarter cloth over printed boards. Grenoble: B. Arthaud, Preface de A. Paris: Charles Bosse, Paris: Hachette, []. Cabeen first ed. Vers Venise. Paris: Henry Goulet,